Friday, February 11, 2011

Best Picture 1958: Gigi



1958 was a remarkable year in the history of film. It was the year when Alfred Hitchcock's Vertigo came out, along with Orson Welles' Touch of Evil along with Some Came Running. However, none of these films were nominated for Best Picture. Instead, the nominees were Auntie Mame, Cat On A Hot Tin Roof, The Defiant Ones, Separate Tables and Gigi. Now, let's review the contenders. Separate Tables is the story of several couples as they stay at a seaside hotel. Auntie Mame is the story of an orphan who goes to live with his eccentric aunt. The Defiant Ones is the story of two prisoners one black, one white escaped who have to work together. It was also the film that Sidney Poitier was first nominated for an Oscar for, making him the first African American man to get the honor, and only four African American women had gotten any nominations before that. (Dorothy Dandridge for Carmen Jones, Ethel Waters for Pinky and Hattie McDaniel for Gone With The Wind, the only woman among these three to actually win.)



Then Cat on a Hot Tin Roof, my personal favorite of these films. Admittedly, there are flaws to my selection. It is the film that Tennessee Williams famously told people not to see because the filmmakers had to cut out all the homosexual elements present in the play and talk around things. They also had to kind of give it a happy ending. Yet the movie still feels like it's about something and Paul Newman and Elizabeth Taylor both give incredible, tortured performances. Burl Ives also gives a great performance as Big daddy. (Your piece of trivia for the day is also that Burl Ives sings "Holly Jolly Christmas")

So, how the hell is Gigi the Best Picture of 1958?





Gigi was directed by Vincente Minnelli and one of the last musicals to come out of the storied Arthur Freed production unit at MGM. Overall, it's not a bad movie and pretty good so far as musicals about French courtesans go, but Moulin Rouge remains my favorite of the genre. Gigi, played by Leslie Caron, is a young girl being groomed to be a courtesan by her grandmother and great aunt. She enjoys a friendship with man about town, Gaston, played by Louis Jourdan. The friendship unfortunately gets sidetracked by the fact that Gigi is grown up and her family would like to see her put in a comfortable situation. Gigi's grandmother points out to Gaston that Gigi is grown up. He first refuses to believe it and leaves in a huff, wandering the streets and singing. Gaston proposes to Gigi that she becomes his mistress. Gigi rejects him, saying that such a life would only be fraught with misery and scandal for her. Gaston storms out, unable to see that. Gigi calls him back and announces that she would rather be miserable with him than without him. Gigi and Gaston go out to dinner that evening where the combination of Gigi's coquetry and the reaction of the other patrons convinces Gaston that Gigi's original interpretation of her life as a mistress was accurate. Dismayed, he takes her home and wanders the streets of Paris only to return and ask Gigi's grandmother for her hand in marriage.

So, a pretty fanciful story, but it was 1958 so we can't exactly count that against it. It's just in the broad strokes that some things bother me. Take this scene in the opening where Maurice Chevalier sings "Thank Heaven For Little Girls."



Am I the only one thinking old guy alone in the park singing this song equals pedophile? It doesn't help that the plot of this film just about adds up to being about training your granddaughter to be a high class prostitute. The whole concept of this film is creepy. Vincente Minnelli has his usual skill with color and spectacle, it has all the charm of an MGM musical, but there's nothing particularly wonderful or groundbreaking about it, especially when compared with the competition and even more so when compared with the films that got snubbed that year.

So, what do you all think? Fill in the blank in the comments section: "Yo, Gigi, I'm really happy for you, I'mma let you finish but ________ was the hottest film of 1958."

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