Wednesday, February 9, 2011

Best Picture 2001: A Beautiful Mind



For this post, I am asking a question that I am somewhat afraid to know the answer to? Was A Beautiful Mind the best movie to come out in 2001? Keep in mind the competition was pretty stiff. Gosford Park, The Lord of the Rings: The Fellowship of the Ring and Moulin Rouge! (Which actually has that exclamation mark at the end of the title)



A Beautiful Mind if you don't know by now is the story of mathematician John Nash and his battle with schizophrenia. Nash is played by Russell Crowe who completely managed to transform himself from Gladiator the year before. And he toured with his band the same year, which is another story that you are not interested in. Josh Lucas plays a mathematics rival of Nash's, Jennifer Connelly as his wife and also Christopher Plummer as a psychiatrist. It also costars Paul Bettany as a friend of Nash's from Princeton and Ed Harris as a mysterious government agent who wants Nash's math skills to fight the Russians. Now, SPOILER ALERT, those last two characters along with a little girl, Marcee, who's meant to be Bettany's niece are not real, which is a brilliant turn of events that Ron Howard and screenwriter Akiva Goldsman manage to pull off. This is done so well that the first time I saw the movie, I was halfway through when I asked, "When is he going to go crazy?" Nash's character is always a little bit off, driven by a quest for mathematical innovation so you never really suspect anything when he does something strange. You're taken in by the delusions so much that later when Nash realizes it's not real, you're in as much disbelief as he is. Howard always establishes the delusions with a clue: you always hear them speak before you see them. This isn't just a dramatic device, but also a reference to the fact that schizophrenics don't actually see their delusions, but they hear them, but this is a movie so you need something on film. There's a clue that I didn't catch until the second time I saw the film. Marcee runs circles through a flock of pigeons and the pigeons don't move. It sounds obvious, but if you're not looking for it, you won't even notice it or think about the birds. This is the type of film that will make your head hurt if you think about it too much, which is a great and a wonderful thing and I love this movie.



That said, was it the Best of 2001? Let's look at the competition. Lord of The Rings. Okay, it's not really my thing and I don't get why if the freaking Elves are so wonderful we all have to walk to Mordor and I don't like how the guy from the Matrix is their leader. Whatever, it's an accomplishment and I can appreciate that. I'll call it a contender. Gosford Park is amazing Oscar bait with its intricate plotting and the delicious dialogue. In The Bedroom, I've never heard anyone try to make a case for it. If you would like to make a case for it, that is what the comments are for. Then we have Moulin Rouge! directed by Baz Luhrman starring Nicole Kidman and Ewan McGregor.



Now, how do you see that and not want to throw some Oscars at it? This movie singlehandedly revived the movie musical and brought us Chicago, Hairspray, Dreamgirls and Nine. I'm also going to credit it with Glee because I don't think that show would exist without this precedent. I get that the story is a little conventional. Boy meets prostitute, boy and prostitute fall in love, are almost torn apart by creepy rich guy, but love perseveres, prostitute dies of tuberculosis and boy goes off to fight the dark side. That last bit may not have actually happened. But remember it also gave us the timeless adage: "Never fall in love with a woman who sells herself. It always ends bad."



The magic of A Beautiful Mind can only happen once. If you know the trick with Nash, you can't be fooled again. The magic of Moulin Rouge! can happen again and again, you're always sucked back into the characters and I get verklempt watching the finale. In fact, knowing what happens may well increase the emotions involved.



Has anyone else ever wondered what the audience in the theater is thinking at the end of Moulin Rouge? Like, "Why did the male lead just change actors? Not complaining, the new guy's hot." or "Is that bald guy with the gun in the play?" Or even, "Wasn't this place a brothel last month?"

So, any thoughts? Moulin Rouge or A Beautiful Mind? Or have I totally gotten it wrong and you would like to pull a Kanye for Lord of The Rings?

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