My Life in Movies Flashes Before My Eyes: The Fugitive, 1993

For 1993, I have selected one of the truly greatest thrillers of all time. I feel like I say that a lot, but in this case it is definitely true. Rationally, a film based on an old TV show shouldn't be this good, but it is.

The Fugitive is the story of Richard Kimble, an escaped fugitive, jailed for the murder of his wife, which he didn't commit. It's equally the story of U.S. Marshal, Deputy Sam Gerard, played by Tommy Lee Jones, who won an Oscar for this performance and is also a fellow San Antonio Spurs fan. You may not feel like you needed to know that, but I dare you to find a Lakers fan who would have done a better job. The supporting cast is rounded out by Sela Ward, Samuel L. Jackson's wife, G'Kar from Babylon 5, Ralph Cifaretto and Sue Sylvester.


Anyway, this movie is all about the chase and I've always found the dynamic interesting because while Kimble is clever and heroic, Gerard definitely gets the best lines in the film. Even though he's chasing our hero, he's not a baddie, he's just a man with a job to do. The difference between a man on a mission and a man with a job to do is at the crux of the argument of the film, as exemplified in this scene following a great chase sequence through a dam.


The film also makes excellent use of the city of Chicago. You really feel like Kimble's lost in it and it adds a lot of atmosphere to what otherwise might take place in any city. The chase in the subway, the cop atmosphere, the scene in the prison. Note the excellent St. Patrick's Day parade sequence, a last minute addition to the shoot.


It's about as perfect a film as you can get, all about the cat and mouse game being played by Kimble and Gerard. They're opposing forces headed towards each other and you just wonder how it's all going to turn out. It is one perfect chase after another and what's great is you don't feel like it's just another chase sequence and there's a story, not just running. Great action and great characters and a great story. And again, Sam Gerard has the best lines ever. Basically, everything he says during the course of the film.

I know I picked The Fugitive, but I feel like I would be remiss if I didn't show you Charlton Heston in Wayne's World 2.


Comments on The Fugitive, your favorite Sam Gerard lines? Well, that would be what the comments section is for.

My Life In Movies Flashes Before My Eyes:1992 Got Complicated: Patriot Games & Wayne's World

So, there has been a delay for which I apologize. You see, the year 1992 happened and it has been the most difficult year thus far. This year contains four personal favorites: Patriot Games, Wayne's World, The Last of the Mohicans and The Bodyguard, which I am a little ashamed to admit to. Okay, so that one was out. Then I pared away The Last of the Mohicans. Then I was still left with Patriot Games and Wayne's World.


So, Patriot Games is once again the story of Jack Ryan, this time played by Harrison Ford. He's on vacation in London when he thwarts an assassination attempt on the life of a member of the royal family led by Sean Bean and Polly Walker, more commonly known as Atia of the Julii from Rome. Other people miss Rome, right? It's not just me? Anyway, Harrison kills Sean's brother in the process and Sean decides to take revenge following him back to America.

Here is in my mind one of the greatest scenes in Patriot Games as Jack Ryan watches the operation he instigated carried out via satellite. Sorry about the quality.


I mean, this is the movie where I learned not to trust Sean Bean and so far that's paid off. In GoldenEye, in Lord of the Rings, I hear on Game of Thrones he may not be evil, but he's dead or something? I don't have HBO right now. It also features the stellar supporting cast with James Earl Jones, Samuel L. Jackson, Anne Archer and Richard Harris. Also, the final sequence is just great and tense and everything. It is everything an action film and a thriller should be.

Wayne's World is of course, the film based on the long running SNL sketch with Mike Myers and Dana Carvey, where they play Wayne and Garth and pursue their dream of getting to host their cable access show for money. It of course features the iconic scene featuring Queen's Bohemian Rhapsody:


I mean, how can you not be happy after that? I love everything about this movie, the way Wayne and Garth talk to the camera, Tia Carrere's cover of Ballroom Blitz, Ed O'Neill's crazy doughnut store manager, the way Wayne and Garth react when they meet Alice Cooper, Alice Cooper lecturing on the history of Milwaukee...


The three endings. The way the guy in the guitar shop tells Wayne "No Stairway." Robe Lowe's entire part. It's a film that doesn't fire for any particular reason, but manages to fire on all cylinders, it doesn't really have a dull part in it.

So, here we are, 1992 and I can't pick a film. So, Patriot Games or Wayne's World? Your opinions, please.

Again, am I the only one who misses Rome and especially Atia?

My Life In Movies Flashes Before My Eyes: Delirious, 1991

I had a couple of options for 1991, but this is what I ended up with. This blog entry is about a film that I don't think you've probably heard of, but has had a profound effect on me. I remember seeing it and considering for the first time that writing TV was perhaps something that would be interesting to do.

The film stars the late and great John Candy as a soap opera writer, Jack Gable. He is hopelessly in love with the soap's star played by Emma Samms, a hopelessly bad soap actor, played by David Rasche, Raymond Burr as the soap opera family patriarch, the also late and great Jerry Orbach as the soap's producer, Renee Taylor (also known as The Nanny's mom), Andrea Thompson (also known as Talia Winters from Babylon 5, nerd alert) as a nurse, Dylan Baker and Charles Rocket as the patriarch's sons and Mariel Hemingway as an aspiring actress/new girl in town on the soap opera.

The film begins quite brilliantly in my opinion following Jack's cable guy around town as Jack furiously waits for his appointment. We follow him to work and learn of his crush on Rachel/Laura and the struggles he has with his producers on keeping his vision of the show. They've brought in another writer behind his back Arnie Federman to rewrite what he's done. Rachel/Laura quickly invites herself along to a weekend with Jack and then spurns him. He is then hit by a trunk loading her luggage into his car and knocked out. He wakes up in Ashford Falls, the town his soap opera is set in. He finds that all the characters are in tact, much to his chagrin. "He's operating on people? He's an actor! Not even a good one!" Even more intriguingly that whatever he writes on his typewriter comes true, which gives him unreasonable power. (Do you see how this film makes TV writing look like a good idea?) He decides to play the hero and tries to win over Rachel/Laura, all the while fighting Federman's rewrites and oh, yeah, Robert Wagner shows up. He has ridiculous scenes where he rescues Rachel on horseback and buys back his own Ferrari GTO 250 at an auction, as well as a climactic and hilarious party scene where he plays piano, dances with Rachel/Laura and his typos come back to haunt him. All the while though, he finds himself torn as he falls in love with Mariel Hemingway's character, Janet.

There are also a lot of nice touches in this film like the transvestite auto mechanic, one of the brother's incestuous lust for Rachel and Raymond Burr is hilarious in this, his last film performance. He gives every line the greatest level of soap opera gravitas, even as he waits for the cable guy, "I'll tell you how I am! I have black bars on two! And seven!" Overall, I think this film is a hidden gem and maybe isn't the best, but I love it.

My Life In Movies Flashes Before My Eyes: The Hunt for Red October, 1990

This is seriously one of my favorite movies. I love it, I feel compelled to watch it in its entirety whenever it pops up on TV. I have tried to learn the Soviet National Anthem because of it and I have only made it through the first few lines. Probably something about not speaking Russian, not reading the Cyrillic alphabet and not being able to find a phonetic translation of it anywhere. The loss of the DVD to this film results in panic on my part and eventually led to my buying it on Amazon, where I wouldn't lose it. It is in my opinion the greatest submarine film ever made.

The film is directed by John McTiernan and is a taut thriller about a Soviet naval captain, Marko Ramius, played by Sean Connery who decides to defect with a new submarine that can run almost silently. Trouble is, the whole of the soviet and American navies and the North Atlantic are between him and his goal. The only man who's worked this out is Jack Ryan, played in this film by Alec Baldwin, who does a really good job with this. While I love Harrison Ford as Jack Ryan, I can't picture anyone but Baldwin in this film. The cast is rounded out with the greatest group of actors. Sam Neill is Ramius' first officer, Tim Curry is the Soviet physician who is hopelessly befuddled by the events of the film. On the American side, we have James Earl Jones as Ryan's CIA boss. Scott Glenn plays Bart Mancuso, the captain of the submarine that finds the Red October and Courtney B. Vance is great as his eccentric, but skilled Sonar technician. In there you also have Fred Thompson, Stellan Skarsgard and Gates McFadden (Doctor Crusher) as Ryan's wife. It is so cool.

Everything about this movie is great. The actors. The intertwining of Ryan and Ramius' stories as the plot heightens. The tension that still exists every time I watch it even though I clearly know what's going to happen. The music is great, heavily influenced by Soviet music. They manage to keep the look of the film dynamic even though about eighty percent of it takes place inside a boat. And they do something different with the language issue. Usually when you watch a movie like this, what you get is one cast speaking with Russian accents (I'm looking at you K-19). In this film, we start out with the actors speaking Russian and through the use of a character reading a passage from a book, they switch to English. When the Soviets meet up with the Americans, they speak Russian again. It's brilliant. I also love the way that no scene is one dimensional and usually have some layer of humor with them. I particularly love the scenes in the White House with the Soviet ambassador as they play a chess game of diplomacy.

Part of the brilliance of this film is in keeping the audience out of the loop on the conclusion and not telling us anything, letting us go along for the ride. apparently, studios had a hard time imagining the original Tom Clancy novel as a film, they thought it would be too complicated for audiences to figure out. Luckily, somebody at Paramount understood its potential. I also love the authenticity of the film, with real naval officers playing small parts and even Scott Glenn spent some time on a submarine learning how to command from a real naval captain. Also, I love the way this film isn't just a thriller, it involves you emotionally in the characters. The finale of this film is always such an intense ride for me, taking you from moments of humor to tears, all the while maintaining the intensity you need to deliver an ending that's worthy of the rest of this film.

Okay, comments, what is the greatest submarine film of all time if not this one? And did that film have its own video game? Also, does it seem short-sighted of the Soviets to have given James Bond his own submarine?

My Life In Movies Flashes Before My Eyes: Steel Magnolias, 1989

I think this is one of those movies that's required viewing in the south, like Gone With The Wind. It even has a first half hour that most men will sit quietly through because Tom Skerritt is trying to get birds out of the trees for his daughter's reception utilizing firearms and fireworks. Also, there's a groom's cake in the shape of an armadillo made out of red velvet. It is hilarious.

But this movie is about the women. There's Shirley MacLaine as Ouiser.("I'm not crazy, I've just been in a very bad mood for forty years!") Olympia Dukakis as Clairee (Well, you know what they say: if you don't have anything nice to say about anybody, come sit by me!) Dolly Parton as the hair salon owner, Truvy ("There is no such thing as natural beauty."). Sally Field as M'Lynn Eatonton, Shelby's mother. ("Oh how pretentious is this wedding going to get I ask you? That sanctuary looks like it's been hosed down with Pepto Bismol!") Daryl Hannah, looking for most of the film as mousy as Darryl Hannah gets, which is not much, as Annelle ("Miss Truvy, I promise that my personal tragedy will not interfere with my ability to do good hair.) Finally, Julia Roberts as Shelby, the bride in our wedding, M'Lynn's daughter ("My colors are blush and bashful.") Best of all, Julia Roberts isn't even annoying in this movie. She does the laughing thing once, but I don't think she can help that.

We spend about a third of the film in the business leading up to the wedding and most of that, like the rest of the film, takes place in Truvy's beauty parlor. In this first part, we learn about Shelby's health problems and that she may never be able to have children. The next Christmas we learn that she is pregnant, to M'Lynn's dismay given the health concerns. The story picks up again later as M'Lynn is about to give Shelby a kidney and later to Shelby's death. We also follow the course of Truvy's relationship with her husband and Annelle's born again Christian-ness. All of the women in this movie are genuinely hilarious except Julia Roberts because it's hard to be funny while you're dying. Although, it is good to be funny at a funeral. Also, this movie is seriously quotable, I had a hard time picking out just those and I would just post the whole movie from YouTube if I could, but let's stick with this scene which illustrates the deftness with which this movie goes from tears to laughter.



I'll admit it, I am a sucker for this movie. I've watched it more times than I can count and I still cried when I watched it today. Truly, Sally Field will break your heart in this movie and you will be going over the dialogue in your head for days. Not to mention that thing with the groom's cake will just stay with you forever. I do love it, please begin your ridicule in the comments section. Or please share anything you love about this film. Go!