Showing posts with label Alec Baldwin. Show all posts
Showing posts with label Alec Baldwin. Show all posts

Sunday, July 10, 2011

My Life In Movies Flashes Before My Eyes: The Hunt for Red October, 1990


This is seriously one of my favorite movies. I love it, I feel compelled to watch it in its entirety whenever it pops up on TV. I have tried to learn the Soviet National Anthem because of it and I have only made it through the first few lines. Probably something about not speaking Russian, not reading the Cyrillic alphabet and not being able to find a phonetic translation of it anywhere. The loss of the DVD to this film results in panic on my part and eventually led to my buying it on Amazon, where I wouldn't lose it. It is in my opinion the greatest submarine film ever made.

The film is directed by John McTiernan and is a taut thriller about a Soviet naval captain, Marko Ramius, played by Sean Connery who decides to defect with a new submarine that can run almost silently. Trouble is, the whole of the soviet and American navies and the North Atlantic are between him and his goal. The only man who's worked this out is Jack Ryan, played in this film by Alec Baldwin, who does a really good job with this. While I love Harrison Ford as Jack Ryan, I can't picture anyone but Baldwin in this film. The cast is rounded out with the greatest group of actors. Sam Neill is Ramius' first officer, Tim Curry is the Soviet physician who is hopelessly befuddled by the events of the film. On the American side, we have James Earl Jones as Ryan's CIA boss. Scott Glenn plays Bart Mancuso, the captain of the submarine that finds the Red October and Courtney B. Vance is great as his eccentric, but skilled Sonar technician. In there you also have Fred Thompson, Stellan Skarsgard and Gates McFadden (Doctor Crusher) as Ryan's wife. It is so cool.

Everything about this movie is great. The actors. The intertwining of Ryan and Ramius' stories as the plot heightens. The tension that still exists every time I watch it even though I clearly know what's going to happen. The music is great, heavily influenced by Soviet music. They manage to keep the look of the film dynamic even though about eighty percent of it takes place inside a boat. And they do something different with the language issue. Usually when you watch a movie like this, what you get is one cast speaking with Russian accents (I'm looking at you K-19). In this film, we start out with the actors speaking Russian and through the use of a character reading a passage from a book, they switch to English. When the Soviets meet up with the Americans, they speak Russian again. It's brilliant. I also love the way that no scene is one dimensional and usually have some layer of humor with them. I particularly love the scenes in the White House with the Soviet ambassador as they play a chess game of diplomacy.

Part of the brilliance of this film is in keeping the audience out of the loop on the conclusion and not telling us anything, letting us go along for the ride. apparently, studios had a hard time imagining the original Tom Clancy novel as a film, they thought it would be too complicated for audiences to figure out. Luckily, somebody at Paramount understood its potential. I also love the authenticity of the film, with real naval officers playing small parts and even Scott Glenn spent some time on a submarine learning how to command from a real naval captain. Also, I love the way this film isn't just a thriller, it involves you emotionally in the characters. The finale of this film is always such an intense ride for me, taking you from moments of humor to tears, all the while maintaining the intensity you need to deliver an ending that's worthy of the rest of this film.

Okay, comments, what is the greatest submarine film of all time if not this one? And did that film have its own video game? Also, does it seem short-sighted of the Soviets to have given James Bond his own submarine?

Tuesday, July 5, 2011

My Life In Movies Flashes Before My Eyes: Working Girl, 1988


You know, some of these years are much harder to do than others. Apparently in 1988, there was Big, Who Framed Roger Rabbit?, Coming to America and the film that I've selected. It was difficult. Anyway, this movie stars Melanie Griffith and may surprise you in that it doesn't suck. I think the problem is that Melanie Griffith has been trying to play this same role every other time in her career and it doesn't work. Case in point: Shining Through. Take her character in this movie add Nazis and you've got Shining Through. Speaking of which, why is Liam Neeson a Nazi in that movie? I know that Schindler's List was after that, so they couldn't have seen it coming but it's still disturbing. I just don't want to see Liam Neeson as a Nazi, I watched that whole movie bothered that I still liked him.

Okay, on to the task at hand. Working Girl, directed by Mike Nichols, is the story of Tess McGill, a working class girl from Long Island with aspirations in finance. She finds these ambitions to be stifled by the lack of an Ivy League/blue blood pedigree. She feels like her life is turning around when she becomes the secretary to Katherine Parker. I love this part of the film because it plays on knowing someone who you hate/want to be. Tess brings her an idea for a deal and Katherine promises to use it to help her. Then Katherine gets in a ski accident and things change. Tess finds out Katherine intended to steal her idea, so Tess decides to take matters into her own hands and sets up a meeting with Jack Traynor played by Harrison Ford. Before that, she has an unfortunate incident with prescription meds and Tequila, which makes the business part of this awkward. So, Tess starts moving in business circles and pursuing a relationship with Jack, because you know, he's Harrison Ford before he started dating Calista Flockhart. Oh, also, Katherine thinks she's pretty much engaged to Jack. There are issues, which all come together nicely upon Katherine's return where Tess is able to show her for the fraud she is. The important part is really the ride along the way as Tess struggles with her identity: that of a secretary or a serious business lady. That theme is summed up in this one clip from Tess' best friend.

Okay, the best parts of this movie: the stellar cast, containing basically everyone. You've got Joan Cusack as Tess' best friend, Alec Baldwin as her boyfriend, an Irish guy from Long Island (Hey, wait a minute...), Olympia Dukakis, Oliver Platt and even Kevin Spacey in a memorable appearance. I love the way it captures the divide between blue and white collar, evidenced through the fantastic cityscape of Manhattan in the film, giving you the full gusto of New York in the 1980s. You know, at least h Also, there's a Carly Simon song in this film, evoked throughout the score. Another win. Carly Simon should write more songs in movies that we can sing driving to work.