Showing posts with label Pierce Brosnan. Show all posts
Showing posts with label Pierce Brosnan. Show all posts

Thursday, July 28, 2011

My Life In Movies Flashes Before My Eyes: GoldenEye, 1995


I want to take you back to a time and a place where I did not know much about James Bond. The world was about to get a new 007 in Pierce Brosnan and I had never had one to start with. So, one November night, I went with my mom and brother to see GoldenEye. Then I went back the same weekend with my dad because somehow I saw every Pierce Brosnan Bond film in the theaters more than one time. Seriously.


Now, I know what you want to say. Sean Connery is the greatest Bond ever, right? But there's a difference between the best Bond and my Bond and Pierce Brosnan is undoubtedly my Bond. You see, after Timothy Dalton (a.k.a. Rassilon) took the franchise to the edge of dramatic destruction with his uber-seriousness and total inability to execute a punchline, Brosnan brought the franchise back into the world of humor, though not quite into the world of the ridiculousness that Roger Moore ocassionally took it to. I mean, they were in space, people. There was a laser fight in space. And George Lazenby, I mean what a freaking catastrophe. And I know someone out there is rooting for Daniel Craig, but I can never get over him being blond and also, he's too touchy feely sometimes. To me, Brosnan strikes the right line because this is a new post Cold War era Bond so he can't go around smacking secretaries on the ass, but we still want him to kill people.

But, the first thing you need for a great Bond film, well, after a great James Bond is a great James Bond theme song and this one has one with Tina Turner written by Bono and The Edge. BONO AND THE EDGE. You know, from U2? Did I ever mention I love U2? And it's awesome.


Then, of course, we have the new M played by Dame Judi Dench. And you don't want to screw with the new M.


What else? We have the cars, although Bond controversially drives a BMW Z3. I must say I used to like the Z3. Now, I'm about to sound like a presenter on Top Gear, but every middle aged man having a midlife crisis bought a Z3 and then the Z4, so it's just not cool anymore. Aston Martin, still cool, but they only get like seven miles to the gallon. Well, at least that's done. We have the villain, 006, played by Sean Bean who I knew not to trust. Also, Famke Janssen as Xenia Onatopp, one of the most bizarre Bond villainesses ever. There's a plot in there, but while you need a decent plot for James Bond, it's more about the getting there, unless the plot is just so stupid you can't ignore how stupid it is. I will say the low point of this film is the main Bond girl, Natalya Simonova, because she does the whole thing where she whines about him going around, killing people, do we really need that? The whining? Joe Don Baker as a slightly crazy CIA agent, Robbie Coltrane as an old adversary of Bond's and oh, yeah, Minnie Driver in the greatest James Bond cameo ever, singing Stand By Your Man with a Russian accent. I seriously get angry when they cut that part out on TV, as if we don't need it. We do! Oh, my favorite sequence in this film is undoubtedly the tank chase through the streets of St. Petersburg. Of course, now would be a good time for either a clip of Minnie Driver or the tank chase, but once again, YouTube says no. Bastards.

And now come after me with your James Bond opinions.

Thursday, May 5, 2011

Made Then Remade: The Thomas Crown Affair, 1968 & 1999




Obviously, it's been a while since my last post for which I apologize. I would like a moment to explain. First, an oversaturation of Paul Newman which I never knew could happen, but apparently it did. I'm still baffled. Second, a series of migraine attacks, which if you don't know suck. Like really suck. Third, the San Antonio Spurs and the NBA Playoffs. The mourning period attached to said playoffs and the reaffirmation of my new hatred for the Memphis Grizzlies. Fourth, I got sucked into Doctor Who. If you want my opinion read on and otherwise skip to the next paragraph: Eccleston sucks, Tennant is awesome, Smith is pretty good, I think Rose is way too stupid to be travelling through time, I don't trust that River Song chick, the new Daleks look like Dyson vacuums and I really want to see an episode about Space Florida. Like, what happened? Did Florida get rebuilt in Space? Why? Are there mosquitoes?

Okay, so that brings us to our new topic: Remakes. I feel there are two basic results for a remake. The first is what is conventionally thought by most serious film people: they're a travesty and sacrilege and the actors from the first film are rolling over in their graves. The second? They end up being quite good because we realize the first film wasn't that great to start with.




That is what I think is the case with the film in question. I'm going to admit some biases now. First, Steve McQueen: not my favorite. Second, Faye Dunaway: not my favorite. Third, Pierce Brosnan: favorite. Fourth, Rene Russo: favorite. By the way, I was wondering what happened to her and apparently she's Thor's mom or something. Hollywood is not kind.

So, The Thomas Crown Affair has the same plot in both films. Thomas Crown is a bored rich guy who steals things for fun. He gets investigated by a a sexy insurance investigator with an amazing wardrobe. And that is pretty much what they share. That and a song that will get stuck in your head FOR DAYS, possibly weeks. It also won an Academy Award. Never try to figure out what the lyrics mean, don't even attempt it.

But here's the thing that puzzles me. There are a lot of similarities between our two Thomas Crowns, but to me, Steve McQueen comes off like a bored rich asshole who needs Ritalin. Pierce Brosnan, not so much. Remember, this film was in the height of his James Bod days. Remember back when James Bond wasn't blond? My God, I hate Daniel Craig in that part. Why is he so hung up on that Vesper chick? I've wandered off topic again. Then again this could be because Steve steals money with a gun, which he doesn't need, but Pierce steals a Monet in a really clever way. They are a lot the same, they even say the same lines, however I really hate McQueen. If somebody could pin down why I hate Steve McQueen, I would appreciate it.

Then there are their leading ladies. Faye Dunaway is still not my favorite actress, but I found I didn't mind her too much. As mentioned, she and Rene Russo both have fabulous wardrobes, though I think Faye wore too many pairs of white tights. I mean, what was that about? I never saw that on Mad Men. Wait, is that next season? Stupid AMC. Rene Russo's wardrobe was designed by Michael Kors and she has an Hermes tote. How much do I love an Hermes tote? Both of the wardrobes are pretty amazing. Then the women are pretty cool. Faye was a symbol of the just burgeoning Feminist movement and social change. Rene is the other side of the coin, a working woman who finds herself somewhat disillusioned by the promises of feminism and the sexual revolution. Also, Rene is about the same age as Pierce in their film, Steve and Faye are eleven years apart, the former of which was noted at the time.

Central to both is the love story, which at times, doesn't seem much like one. Take the damn chess scene in the original. Okay, I get it. The chess is a metaphor for sex, sex is a metaphor for the game they're playing, why are we sitting here for days sucking on chess pieces and what is with the stupid kiss with the 360 degree thing going on? I feel like I'm saying this a lot, but we're not doing Shakespeare here. There's no need to be so damn dramatic. (I would have given you a clip, but apparently the scene is too damn precious to be on YouTube) They avoid this mistake in the remake. Instead of the chess scene, we have a dance sequence followed by some of the most impossible sex ever. Now, tip, if you're at a hotel, don't order the remake on the in-room movies and then have housekeeping walk in at the exact damn moment that scene takes place. They will think you have ordered something else and you will be trying to act like you don't see anything at all. "What, you mean this isn't The Lion King?" So, that's a drawback.



Then there's the ending and changing the ending is usually where you really piss off the purists. The 1968 one ends with Faye betrays Steve and he knew she would. The 1999 edition ends with Rene thinks Pierce has left her, then he really hasn't and we have a happy ending. Oh, I forgot the climax, which is very good.



By the way, if anyone knows John McTiernan, I still want to know how he stole the second painting. I listened to the commentary, he said that they eliminated a sequence explaining it, but I would like to know. Not to mention the art instead of the money gives the film a whole new level of interest and this is an art form based on spectacle. I get that the Faye Dunaway ending is sad and about the character, but I really don't care because at that point I was bored and pushing pause on my Roku remote every two minutes to see how much I had left. It's just one of those films I do not get and it's just the style, revolutionary in its days, hackneyed and tired in ours until Steven Soderbergh cleverly revived it for the Ocean's trilogy. Also, much like the Ocean's trilogy, this film gets a new layer of fun from the supporting cast notably Denis Leary and Frankie Faison as the cops working with Rene.

So, obviously, I've lost my mind, right? You probably love the original. Okay, tell me in the comments why the original is so much better. And why I hate Steve McQueen.

Also, just realized that everything I know about art comes from movies and TV. So, here's a video someone made from the Van Gogh episode of Doctor Who, which was written by Richard Curtis, who I wish would write more or at least let me know where to find his new stuff. So, again, if you know Richard Curtis, let him know.